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Abducted on a rainy night in , the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason.
There, his invisible and pitiless captors will feed him, clothe him, and sedate him to avert a desperate suicide--and as his only companion and a window to the world is the TV in his stark cell--the only thing that helps Oh Dae-Su keep going is his daily journal.
Then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution.
However, who would hate Oh Dae-Su so much he would deny him of a quick and clean death? An average man is kidnapped and imprisoned in a shabby cell for 15 years without explanation.
He then is released, equipped with money, a cellphone and expensive clothes. As he strives to explain his imprisonment and get his revenge, Oh Dae-Su soon finds out that his kidnapper has a greater plan for him and is set onto a path of pain and suffering in an attempt to uncover the motive of his mysterious tormentor.
On the day of his daughter's birthday, Ho Dae-su gets completely drunk and is arrested. His best friend No Joo-hwan releases him from the police station, and while calling home from a phone booth, Dae-su vanishes.
Indeed he has been abducted and imprisoned in a room for fifteen years. One day, he is suddenly released, receives clothes, money and a cellular and meets the Japanese chef Mido, and they feel a great attraction for each other.
The film follows the story of Oh Dae-su, who is imprisoned in a cell which resembles a hotel room for 15 years without knowing the identity of his captor or his captor's motives.
When he is finally released, Dae-su finds himself still trapped in a web of conspiracy and violence.
His own quest for vengeance becomes tied in with romance when he falls in love with an attractive young sushi chef. The film has been well received by critics in the United States, with film critic Roger Ebert stating that Oldboy is a "powerful film not because of what it depicts, but because of the depths of the human heart which it strips bare".
In , a businessman named Oh Dae-su is arrested for drunkenness, missing his daughter's fourth birthday. After his friend Joo-hwan picks him up from the police station, Dae-su is kidnapped and wakes up in a sealed hotel room, where food is delivered through a trap-door.
Watching TV, Dae-su learns that his wife has been murdered and he is the prime suspect. He passes the time shadowboxing , planning revenge and attempting to dig a tunnel to escape.
Fifteen years pass since he was imprisoned. It is now , a new century. Just before digging himself to freedom, Dae-su is sedated and hypnotized.
He wakes up on a rooftop and sees a man on the ledge ready to jump to his death. The man asks him, "Even though I am no better than a beast, don't I have the right to live?
Afterward, a mysterious beggar gives him money and a cell phone. Dae-su enters a sushi restaurant where he meets Mi-do, a young chef.
He receives a taunting phone call from his captor, collapses, and is taken in by Mi-do. After he recovers, Dae-su tries to find his daughter and his prison.
Discovering that she was adopted, he gives up trying to contact her. He locates the Chinese restaurant that made his food and finds the prison by following a deliveryman.
It is a private prison, where people can pay to have others incarcerated. Dae-su tortures the warden, Mr.
Park, who reveals that Dae-su was imprisoned for "talking too much". He is then attacked by guards and stabbed but manages to defeat them.
Dae-su's captor is revealed to be a wealthy man named Lee Woo-jin. Woo-jin gives him an ultimatum: if Dae-su can uncover the motive for his imprisonment within five days, Woo-jin will kill himself.
Otherwise, he will kill Mi-do. Dae-su and Mi-do get close and have sex. Meanwhile, Joo-hwan tries to contact Dae-su with important information but is murdered by Woo-jin.
Dae-su eventually recalls that he and Woo-jin had gone to the same high school, and he had witnessed Woo-jin committing incest with his own sister.
He told Joo-hwan what he had seen, which led to his classmates learning about it. Rumors spread and Woo-jin's sister killed herself, leading a grief-stricken Woo-jin to seek revenge.
In present day, Woo-jin cuts off Mr. Park's hand, causing Mr. Park and his gang to join forces with Dae-su. Dae-su leaves Mi-do with Mr.
Park and sets out to face Woo-jin. At Woo-jin's penthouse , Woo-jin reveals that Mi-do is actually Dae-su's daughter. Woo-jin had orchestrated everything by using hypnosis to guide Dae-su to the restaurant, arranging for them to meet and fall in love so that Dae-su will experience the same pain of incest that he did.
He reveals that Mr. Park is still working for him and threatens to tell the truth to Mi-do.
Dae-su apologizes for his involvement in the death of Woo-jin's sister and humiliates himself by imitating a dog and begging.
When Woo-jin is unimpressed, Dae-su cuts out his own tongue as a sign of penance. Woo-jin finally accepts Dae-su's apology and tells Mr.
Park to hide the truth from Mi-do. He then drops the device he claimed was the remote to his pacemaker and begins walking away.
Dae-su activates the device to kill him, only to find it is actually a remote for loudspeakers, which play an audio recording of Mi-do and Dae-su having sex.
As Dae-su collapses in despair, Woo-jin enters the elevator, recalls his sister's suicide, and shoots himself in the head.
Some time later, Dae-su finds the hypnotist to erase his knowledge of Mi-do being his daughter so that they can stay happy together.
To persuade her, he repeats the question he heard from the man on the rooftop, and the hypnotist agrees. Afterward, Mi-do finds Dae-su lying in snow but there are no signs of the hypnotist, leaving it ambiguous if Dae-su really met her.
Mi-do confesses her love for him and the two embrace. Dae-su breaks into a wide smile, which is then slowly replaced by a look of pain.
The corridor fight scene took seventeen takes in three days to perfect and was one continuous take; there was no editing of any sort except for the knife that was stabbed in Oh Dae-su's back, which was computer-generated imagery.
The script originally called for full male frontal nudity, but Yoo Ji-tae changed his mind after the scenes had been shot.
Other computer-generated imagery in the film includes the ant coming out of Dae-su's arm according to the making-of on the DVD the whole arm was CGI and the ants crawling over him afterwards.
The octopus being eaten alive was not computer-generated; four were used during the making of this scene. Actor Choi Min-sik, a Buddhist , said a prayer for each one.
Usually the nerve activity in the octopus' tentacles makes the pieces still squirm posthumously on the plate when served.
The final scene's snowy landscape was filmed in New Zealand. In an interview with Park included with the European release of the film , he says that the ambiguous ending was deliberate and intended to generate discussion; it is completely up to each individual viewer to interpret what isn't shown.
Oldboy received generally positive reviews from critics. The site's consensus is "Violent and definitely not for the squeamish, Park Chan-Wook's visceral Oldboy is a strange, powerful tale of revenge.
Roger Ebert of the Chicago Sun-Times gave the film four out of four stars. Ebert remarked: "We are so accustomed to 'thrillers' that exist only as machines for creating diversion that it's a shock to find a movie in which the action, however violent, makes a statement and has a purpose.
Stephanie Zacharek of Salon. Bradshaw summarizes his review by referring to Oldboy as "cinema that holds an edge of cold steel to your throat.
Jones of the Chicago Reader was also not impressed, saying that "there's a lot less here than meets the eye.
In , Oldboy was placed 64th on an Empire list of the top movies of all time. Park Chan-wook stated that he named the main character Oh Dae-su "to remind the viewer of Oedipus.
Park Chan-wook said he designed this pose to convey "the image of Apollo. The link to Oedipus Rex is only a minor element in most English-language criticism of the movie, while Koreans have made it a central theme.
More parallels with Greek tragedy include the fact that Lee Woo-jin looks relatively young as compared to Oh Dae-su when they are supposed to be contemporaries at school, which makes Lee Woo-jin look like an immortal Greek god whereas Oh Dae-su is merely an aged mortal.
Indeed, throughout the movie Lee Woo-jin is portrayed as an obscenely rich young man who lives in a lofty tower and is omnipresent due to having placed ear bugs on Oh Dae-Su and others, which again furthers the parallel between his character and the secrecy of Greek gods.
One could also mention Mido, who throughout the movie comes across as a strong-willed, young and innocent girl, which is not too far from Sophocles' Antigone, Oedipus' daughter, who, though she does not commit incest with her father, remains faithful and loyal to him which reminds us of the bittersweet ending where Mido reunites with Oh Dae-Su and takes care of him in the wilderness cf.
Oedipus at Colonus , the second installment of the Oedipus trilogy. Another interesting character is the hypnotist, who, apart from being able to hypnotise people, also has the power to make people fall in love e.
Oh and Mido , which is characteristic of the power of Aphrodite, the goddess of love, whose classic act is to make Paris and Helen fall in love before and during the Trojan War.
In South Korea , the film was seen by 3,, filmgoers and ranks fifth for the highest-grossing film of Nearly all the music cues that are composed by Shim Hyeon-jeong, Lee Ji-soo and Choi Seung-hyun are titled after films, many of them film noirs.
Zinda , the Bollywood film directed by writer-director Sanjay Gupta , also bears a striking resemblance to Oldboy but is not an officially sanctioned remake.