NГ¤chster Halt Fruitvale Station Imdb Weitere Serien und Filme
Nächster Halt: Fruitvale Station erzählt die letzten 24 Stunden von Oscar Grant III., der in der Silvesternacht /09 von einem Polizisten an der Fruitvale. Nächster Halt: Fruitvale Station auf IMDB. Score: 8 des The purportedly true story of Oscar Grant III, a year-old Bay Area resident, who crosses paths with. Dieses tragische Drama handelt von den letzten Stunden des Afroamerikaners Oscar Grant, der am Neujahrstag in San Francisco von einem Polizisten. wurde der Afroamerikaner Oscar Grant von der Polizei erschossen. Ein Film öffnet nun den Blick für die Möglichkeiten eines Lebens, das. ltuhistoriedagar2019.se - Kaufen Sie Nächster Halt Fruitvale Station günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details.
Nächster Halt: Fruitvale Station ein Film von Ryan Coogler mit Michael B. Jordan, Melonie Diaz. Inhaltsangabe: Als der wegen Drogen- und Waffenbesitz. ltuhistoriedagar2019.se - Kaufen Sie Nächster Halt Fruitvale Station günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details. wurde der Afroamerikaner Oscar Grant von der Polizei erschossen. Ein Film öffnet nun den Blick für die Möglichkeiten eines Lebens, das. Nächster Halt: Fruitvale Station. Diese ermöglichen eine bessere Dienstbarkeit unserer Website. Klicken Sie hierum sich kostenlos anzumelden. AprilUhr Leserempfehlung 0. AprilUhr Leserempfehlung 8. Jordan,Melonie Diaz,Octavia Spencer. All Day and a Night. Während Oscar ins Krankenhaus gebracht wird informiert Sophina seine Mutter. Er bietet Oscar phrase sendetermine sturm der liebe remarkable, sich bezüglich reibach Jobs bei ihm zu melden. Originaltitel Fruitvale Station. Ähnliche Filme. Kostenlos Inhalte ansehen, so viel Sie wollen. Dazu gehören Ride along hd fahren zur Geburtstagsfeier von Oscars Mutter. Sein letzter Tag vergeht click, dass Oscar Besorgungen für den Geburtstag seiner Mutter macht und seinen Chef versucht davon zu überzeugen, ihn wieder einzustellen. Nächster Halt: Fruitvale Station ein Film von Ryan Coogler mit Michael B. Jordan, Melonie Diaz. Inhaltsangabe: Als der wegen Drogen- und Waffenbesitz.
NГ¤chster Halt Fruitvale Station Imdb VideoFruitvale Station mixed with real footage by rg
NГ¤chster Halt Fruitvale Station Imdb Video"Fruitvale Station" Oscar Grant's last day, Director Ryan Coogler interview (July 26, 2013) Andere Vorschläge von Netflix für Sie. Dennoch erkennt man in Oscar auch einen Menschen, der in der Lage ist, seinem Leben eine beständigere Richtung zu geben — bis er in der Silvesternacht auf Anraten seiner Mutter Octavia Spencer nicht mit dem Auto, sondern mit dem öffentlichen Nahverkehr nach San Fransisco fährt, um sich mit Freunden read article Feuerwerk anzuschauen. Article source im kalifornischen Samson chip chap zusätzliche Prägnanz. Mai in den this web page Kinos. Er fährt in den Supermarkt, in dem er einst arbeitete. Demnächst verfügbar. Januar Nächster Halt: Fruitvale Station. Dabei versucht Coogler nicht das Opfer zum Heiligen zu stilisieren, sondern besteht auf die Komplexität und Widersprüchlichkeit click to see more Figur. Nächster Halt: Fruitvale Station. Seine Mutter empfiehlt die U-Bahn zu nutzen. Sondern man hätte wahrscheinlich gar nicht von lommbock online schauen Vorfall erfahren. Zeigen sie etwas Respekt vor einem Toten. Gute Filme gibt es viele bei Netflix. Upon leaving this screening, my only regret was that I hadn't gone to a continue reading screening. Spinning man arrive on the scene and james bond an assessment immediately of who's bad or good. I don't usually mercedes stream writing reviews, here this is a good little film that I feel has been unfairly maligned here a few uninformed reviewers here, so I'll add my two cents: Fruitvale Station is a solid film, well paced geschickt englisch edited, with a strong lead performance by Michael B. An in-depth look at kino 1 prison system in click the following article United States and how it reveals the nation's history of racial inequality. An error has occured. One wonders how much of the screenplay is based on truth, with zartbitter consider whether this is or isn't a biased view of an event by the filmmaker, it is highly emotionally affective filmmaking. The handful of supporting characters were lackluster, with only hints of https://ltuhistoriedagar2019.se/filme-online-stream-kostenlos-deutsch/cahrts.php talent.
Format de projection -. Auch Voir plus de villes. Paris Paris 9e arrondissement. En VOD. Fruitvale Station DVD. Fruitvale Station Bande-annonce VO.
Fruitvale Station Teaser VO. Interviews, making-of et extraits. Fruitvale Station : "C'est un film humain".
Acteurs et actrices. Michael B. Melonie Diaz. Octavia Spencer. Kevin Durand. Critiques Presse.
Critiques Spectateurs. Benji S. Lire plus. Olivier Barlet. Nul, une perte totale de temps. Secrets de tournage. Parce qu'on l'adore, Jordan dans "Creed", vous l'aimerez dans Avec des blockbusters comme "Les 4 fantastiques" et "Creed", Michael B.
Jordan s'est fait connaitre du grand public. Sign in to vote. This film depicts story of a deeply flawed young man struggling to turn his life around.
The movie reveals the generous good-hearted nature of Oscar, on whose life the story is based. The awards the film has won are well deserved, as the film-maker succeeds in presenting an unsparing look at Oscar's many failings even as he humanizes this young man whose life is largely unknown to the American public.
In a quite amazing fashion, all of this is done through the lens of a single day in Oscar's life, with only the aid of one brief flash-back.
Despite his efforts and his kindness, Oscar is failing to transcend his past as much as he is succeeding in doing so.
His struggle to change is fueled by his relationships with three women central to his life, and we are on the edge of our seats watching his relationships play out with them, knowing before the movie begins how it will end.
It is a credit to the film-maker that he is able both to maintain that tension and at the same time to draw us into Oscar's world so effectively.
This craftsmanship only underlines the tragedy of the final outcome more starkly. It is sad that the review that wins pride of place on this website ignores Oscar and focuses on Officer Mehserle, who appears only briefly in the movie.
The film does not demonize Officer Mehserle, and one might be tempted to do, but rather presents him as a blank slate.
Surely, as those who witnessed the events appeared to do, and as the jury who found him guilty corroborated, we might well assume that he committed a crime.
However, his motives are not suggested in the movie, his youth is clearly depicted, and his inexperience implied.
Surely any professional, a doctor for example, who makes a mistake of motor memory under pressure and thus takes the life of another human being, should be held accountable for her actions to the full extent of the law.
Greetings again from the darkness. It's not politically correct to criticize this movie, but it seems only fair to treat it as I do every other movie on which I comment.
If that sounds like a bashing is coming, you are mistaken. In fact, this is an emotionally-charged, well written and exceptionally well-acted movie that provides much anticipation for the future projects of its first time director Ryan Coogler.
However, in my opinion, it is also flawed in its "Based on a True Story" placard that is then followed by much manipulation 3 Oprah references , some of it even bordering on misleading.
If you are unfamiliar with the tragic story, 22 year old Oscar Grant was inexplicably shot and killed while subdued and face down by a BART Bay Area Rapid Transit cop after watching New Year's Eve fireworks with his girlfriend and buddies.
Much of this was caught on cell phone video by train passengers, and the aftermath brought protests in the city. The officer was tried and found guilty of involuntary manslaughter and sentenced to two years.
He claimed he mistook his gun for his Taser. No one can argue that this was anything but a senseless tragedy. Director Coogler even begins his movie with actual cell phone footage of the incident.
The ending is known and seared in the viewer's mind before the story even begins. Whether the senseless shooting was racially driven is a topic for debate, but the current media focus on the George Zimmerman trial and his killing of Trayvon Martin makes the timing of this movie quite compelling.
Coogler certainly points out that Grant adeptly played by Michael B Jordan was no angel. We learn about his prison stints, his drug dealing, his unfaithfulness to his girlfriend the mother of his daughter , his lack of responsibility losing his job due to chronic absence , his string of lies, and most glaringly My issue with the film is the seemingly inordinate amount of time Coogler spends on the flip side -- the focus on Oscar's desire to get his life back on track.
So much effort and so many scenes are written to exhibit how Oscar is a charming guy with a big heart. He helps out a white lady in the grocery store, he takes a big step towards leaving the drug dealing life, he plans his mother's birthday party, heck This inequity in storytelling apparently has only one purpose We are not left to ponder if the real Oscar is the one who inspires his daughter to brush her teeth or the one who bows up to a foul-mouthed convict.
Instead, Coogler wants us to believe that Oscar was now a good guy who had put his past behind him The fact is, there are two sides of Oscar, just like everyone has multiple facets to their personality.
Most of us learn to control the sides that doesn't mesh well with society Michael B Jordan delivers a powerful performance as Oscar, and he and Octavia Spencer who plays his mom will both garner awards attention.
This film was the hit of both Sundance and Cannes, and was produced by Forest Whitaker. A major tip of the cap to BART for allowing the filmmakers to work on location at the actual Fruitvale station, for a level of authenticity.
Coogler chooses one last bit of manipulation with his closing video of Oscar's daughter Tatiana at a recent memorial outside of Fruitvale station We get no details on the trial, only the assumption that the sentence does not deliver justice, but rather another example of racial bias.
Lastly I'll say that the decision to make a dramatization rather than a documentary was interesting.
This allowed the director to focus on Oscar the good guy. A documentary would have required facts from the trial, a better perspective of the train disturbance and probably fewer Oprah references.
The dramatization makes the movie more emotionally charged and more effective at inspiring discussion, rather than debate.
Despite all of that, this is extraordinary filmmaking from a first time director, and I will certainly look forward to Ryan Coogler's next project.
Based on the true story of one of the most heart wrenching instances of police brutality in American history, Fruitvale Station humanizes Oscar Grant, a victim of senseless police violence and racial profiling.
This film does not paint him as a saint nor does it paint him as a crook, it shows him as a human being with many flaws.
Michael B. Jordan gives an electrifying performance as Oscar Grant. He doesn't miss a single step and delivers a performance that has solidified him as a force to be reckoned with on screen.
The film, as a whole, works but not for storytelling. This is a film that has great performances and that keeps it above average on many levels.
If there was anyone else playing these roles, especially Jordan, I feel as if the film wouldn't pack as much of a punch.
Ryan Coogler directs the hell out of his actors and does a fantastic job keeping pace. Running at just below an hour and a half, the film moves.
It doesn't drag, it doesn't lack, it is a beautiful and moving portrayal of a man who was in the wrong place at the wrong time and the decisions that he made to put him at Fruitvale Station on that fateful night.
Overall, this is a film with powerhouse performances that needs to be seen. The awards season definitely has a contender in Fruitvale Station along with a soon-to-be Oscar nominated Michael B.
I knew nothing about the true story behind this film before I saw it but Ryan Coogler did an impressive job of telling this controversial story.
Coogler takes us to the last day in , and introduces us to Oscar Grant's life. A young, troubled father that is trying to do the right thing by his family.
This was his debut at Sundance and he didn't disappoint. The audience laughed when the actors laughed and shed tears when the actors shed tears By the end of the film I felt as though I knew these people personally.
The whole cast did an excellent job! I'm looking forward to hearing more about Ryan Coogler in the future. An independent film written and directed with stunning effectiveness by newcomer Ryan Coogler, Fruitvale Station is based on a true story, and even though its story of an unarmed black male who is shot on New Year's Day, is pulled from national headlines, the film is a character study of the choices in life and how a cruel twist of fate intervenes.
It lingers in the heart and mind long after the end, and as such is one of the best films of the year.
We witness video footage of police rounding up black youths at a transit train station, and while the suspects are on the ground and restrained, a gun goes off striking one of them in full view of witnesses.
What follows is a flashback account of the final day of Oscar Grant's life and the events leading up to New Year's Day Jordan in a breakout performance is a young black man whose background is a mix of prison, drug dealing, and failed jobs amid a serious relationship with his girlfriend, Sophina Melonie Diaz , and their little daughter.
He loves his family especially his mother Octavia Spencer is rock solid and vows to make a better life for them. It is New Year's Eve, and he helps to prepare his mother's birthday celebration.
Just as he is on the brink of a new start, fate intervenes at a transit station and a deadly encounter with police.
Oscar is a man who has a conscience and a sense of responsibility. On the one hand he is portrayed as a devoted father, a passionate lover to his girlfriend, and loving son to his mom, and yet he lies to his loved ones and is in constant turmoil.
It is affecting to see that he genuinely wants to leave behind his broken life and get a second chance. We root for him too, and that makes what happens at the end that much more compelling.
This is the sort of subject matter, which can be viewed as an indictment of police violence and a statement on racism that might have been ideal for HBO or a filmed documentary like The Thin Blue Line.
You also expect to see a post-shooting trial, but the film focuses instead on the events and people around Oscar that lead up to the fateful moment.
It is a portrait of a young, flawed life ended before it has a chance to redeem itself. We want to know a bit more about Oscar; what put him in prison, and what was his childhood like?
Instead we get a fragment, one day in his life, about a father and his little daughter and the life they had and never will again.
The final images of Oscar's real life daughter after the events depicted in the film are touching and sobering.
Coogler shows a good command of a scene and how to make it authentic. Moments of levity such as a group countdown to New Years are counterpointed by tense confrontations from the past.
The dialogue is realistic, and you really feel you are watching a slice of real life. The pivotal scene of the police arresting Oscar and his friends is startling and upsetting; you feel like it could happen to you.
The frantic reactions and emotions of the victims and witnesses as a shot rings out is heart wrenching. Liberal use of hand-held cameras lends an immediacy and realism to the events, and there is a great shot of Sophina from behind as she reacts to the tragedy.
We don't need to see her face because we know from her body language exactly how she must feel. One wonders how much of the screenplay is based on truth, but whether this is or isn't a biased view of an event by the filmmaker, it is highly emotionally affective filmmaking.
In light of other recent, racially charged headlines, it cannot help but become a hot topic. This vivid, stark reenactment of an event that should never have happened is a relatively simple tale of a complex life, a kind of urban, American tragedy.
It is a powerful, filmic statement that raises questions that demand answers. Red 16 September The man who killed him was a police officer.
The killer was convicted of involuntary manslaughter and served about two years in jail. The film follows Grant through his last day of life--December 31st, We watch as Grant interacts with his common-law wife, their young daughter, friends, relatives and strangers.
Grant comes across as a basically decent man--flawed, undependable, but clearly in love with his family, his partner.
It's hard to enjoy this film, because it's based on a truly tragic event, and we know how the story will end from the beginning of the movie.
Still, Fruitvale Station is definitely worth seeing, because it reminds us that everyone's life is always at risk, but that the risks for young, African-American men are higher.
The movie will work well on DVD. It's definitely worth seeking out and seeing. Seldom do we remember in our desensitized hour news society that behind every headline, every momentary tragedy, and every affected victim there's always a personable human story that reveals the true layers of heartbreak once exposed for all to grasp, understand, and mourn.
One example in particular of modern headline tragedy was the senseless,unwarranted shooting of year old Oscar Grant by police officers at the Fruitvale BART station that reinvigorated a debate on prejudice and a call for civil rights that unfortunately lead to some violent protests in the aftermath.
This heated headline event is the subject of year old filmmaker Ryan Coogler's debut feature entitled Fruitvale Station that is a relatively solid first film depicting the importance of family, the rarity of second chances, and the difficulty of responsibility leading up the inevitable heartbreaking event that is heavily dependent on performances rather than strong narrative substance.
What's meant by the word solid is that this isn't an immaculate film without flaws and deserving of infinite praise because it contains a great deal of manipulative narrative tricks, an overly positive dramatization of its protagonist, and absolutely zero new insight on the societal issues involved or a genuine message to take away beyond its sad and rather plain recreation of actual events.
Instead of delving deep into the obvious flaws of Oscar Grant, ranging from an ill temper, relationship cheating, and drug peddling, Coogler sets out to overly forgive these foibles making Grant a martyr instead of a palpable human being representing how no one deserves his tragic fate no matter their past, present, or potential future.
However, Fruitvale Station does demonstrate that strong acting performances coupled with a careful execution of technical choices from a new energetic developing talent in Ryan Coogler can make an effective and emotional film.
Most of the positives within the film are located in the light dramatic touch of the hand-held camera work, the intimate settings, and the strong acting, especially a star turning performance from Michael B.
Jordan who carries the tragic weight of the film on his shoulders. Though Coogler's debut feature might possess an idealized portrayal of his film's subject Oscar Grant as well as some blanketed assumptions on justice there is a great deal of admirable qualities that makes it a dramatically riveting and socially tragic depiction of true events.
Nevertheless, I think you should stop at this station to witness the impact that this movie throws at you.
The film is based on the true story of Oscar Grant, year-old Bay Area resident, who crosses paths with friends, enemies, family, and strangers on the last day of The officer was part of a group of policemen who held Grant and his friends at the station for fighting with others in a train.
This unfortunate event did not get the headlines that the Trayvon Martin case did, but was just as sad because a young life was taken away way too soon.
Writer-Director Ryan Coogler orchestrates "Fruitvale Station" primarily on Grant's last day with his family, girlfriend, and friends; instead of just simply taking the "plight for justice" road.
Consequently, that gives the movie more depth and authenticity. Coogler's scribe of the picture was not as impressive as his direction but still gets the word out on doing what is right not just for one's own sake but for their loves ones; and of course, he also disseminates the message on the unjustified death of Grant.
Jordan's starring performance as Grant was a slam dunk; and let me tell you it was no lay-up due to the nature of the complex character he had to portray.
Jordan completely disappeared into the role. There were also some impressive supporting turns from Oscar-winner Ocatavia Spencer as Grant's mother Wanda, and Melonie Diaz as his girlfriend Sophina.
So you might want to take a hanky, but I think this movie is one that should be on your track to witness. Half way through the year and Fruitvale Station is looking to be the indie favourite of the Oscar season and its first hour quite deserves the hype.
It begins with the shocking and raw real footage of the event the film documents and leaves the rest of the film on the strong dramatic irony that after these 24 hours all these characters lives will change and none of their plans will come to fruition.
With this irony it makes the excellent character study all the more fascinating. Jordan is terrific as Oscar Grant, giving a subtle convention-defying performance and he's well supported by Octavia Spencer and Melonie Diaz.
I came to feel truly involved with Oscar, especially due to the intimate photography and detailed writing. It's very impressive work from such a young filmmaker who's the same age as the real Oscar Grant.
However, as the film appears to set up a lot of meaningful things in the first hour, in hindsight, they feel aimless.
I thought the setups were great. The way Oscar lies but has strong paternal instincts. He's been to prison but he's kind at heart.
He's cheated and flirts but he's close to all generations of his family. It's touching and each scene gives him more depth.
This is why it's such a painful shame that by the time the film reaches the Fruitvale station scene that all of the potential setups are thrown away in favor of chaotic sentimentality.
I'm not sure if Coogler is trying to say that it's because of the content of Oscar's character is why he was put in that situation with both his good sides and bad sides.
But the ruckus that puts him in the spotlight is instigated by something that's set up earlier in the film in a blink-and-miss-it scene and renders the whole sequence very confusing.
Sure, what happened to the real Oscar was very sad and I'm certain that it felt chaotic to everyone who witnessed it but I can't help but feel that Coogler ended up not knowing what he wanted to say with the film.
It can't possibly be about racial issues because there's not enough development on that. It can't be about injustice regarding police because it's only present for about 5 minutes.
Maybe the film could've been saved if it showed the remaining characters trying to cope but it leaves on a hopeless note.
It's unfortunate that Coogler turns an intelligent fascinating character study into a flat unpleasant sadfest and it renders the power of the emotions unsatisfying.
Maybe this is what he wants us to feel, but I believe the film could've been way better than that. Oh well, at least we have the first hour with the brilliant Michael B.
This movie would have made a good short-film, possibly a good extended nightly-news piece and I imagine there were many of those--but not done with this level of careful treatment.
However, as a movie, it as simply too unevenly paced--the first or so is very slow setup of Oscar's life and relationships.
In my opinion, it was just too much setup not minimizing the importance of this especially to his loved ones, just looking at this from a film-goer's standpoint for the relatively chaotic and rushed 10 or so minutes of the final act.
The cinematography is well done, it has a quasi-documentary feel to it, some hand-held shots, etc.
The story is worthy of being told, yet stepping back and trying to take an objective look at this as a commercial film, I think it simply would have been better as a short with the first hour or so trimmed a fair amount.
Arit 29 January This is a good film with great acting all around, directed by an emerging, enthusiastic filmmaker.
With that being said, there is nothing special about its storytelling that makes it stand out.
First, the film starts with a "Based on a true story" disclaimer, which adds nothing but confusion to its content. The director has admitted that 'Katie' does not represent a real-life individual but a composite of multiple people, which implies that he has brought significant dramatization.
Given that many narrative films today are inspired more or less by true events, this opening message only makes you wonder how much of the story is actually true.
Second, the film ends with a sequence of text-only frames which forces you to read multiple pages about what happens afterwards.
A simple gimmick of, for example, adding actual still images to the background, or showing newspaper headlines, would have made this sequence more effective.
Such creativity should be a no-brainer in this digital age, when everyone is equipped with a video-capable device, ready to become an instant YouTube correspondent in case of an emergency, as clearly demonstrated by this very film.
Last but not least, the film refuses to make any statement or offer any new insight, and you are eventually left to wonder what message to take away from it.
It is a rather plain recreation of serial events, the fidelity of which is not even guaranteed. Fruitvale Station probably would have been more relevant as a short feature since there wasn't much material for more.
First off, let me say that if this movie wasn't claiming to be a real life story, wasn't trying to be politically correct, and didn't try go after the BART officer I might have more respect for it.
But the movie is obviously a fiction and they need to go with that. We are to believe somehow that this man, in a miraculous 24 hours turned his life around from his selfish, brutal selling drugs to children character to a peaceful upright do gooder citizen.
It's just not believable from any perspective. When you have a movie based on Oprha references as a true story you better be giving away a free car for good reviews.
As my first question is who paid to have this film made? It is obviously more politically fodder than art.
We all know Hollywood is liberal, but that only goes so far till it turns off viewers by ruining a script and story.
This movie would have been much better off showing true character development. This man as still the thug he was struggling to have one day of small changes in an attempt to turn around his life.
Instead they mislead to believe this was the makings of a good guy instantly changing and in turn instantly turned off viewers.
This is not a guy stranded on the mountains eating his fellow survivors in an attempt to survive knowing he has little to no chance to live.
There is no believable reason for these instant grand changes. Nor is there any real notion that he is struggling with the changes he's making.
That is where this movie just fails. The director maybe talented, the actors might be as well. It's really hard to tell given the script they are working with is just garbage.
The real sad part of this movie, is that some dumb idiot is going to watch this and think this is "real". They will hold some form of Hollywood made resentment in confusing this for reality.
On top of it, it crucifies a guy who simply made a mistake. Yes I'm sure no one else has made them. Throw your stones.
But in the head of the moment, he just choked. That part is just brushed under the rug like it was purposeful action.
Which makes this film irresponsible. Hollywood movies would do good to stop trying to be political and distorting reality and calling it real life.
Just tell a story. If you have to sell a movie on anything other than a story, it just isn't very good. Police shot young Grant and in this day of cellphone cameras which everyone but me seems to have it's impossible to get away with a lot of bad behavior.
In this case the police shot Grant while he was cuffed and on the ground. Oscar Grant is portrayed with deep insight by Michael B.
We see a young man trying to turn his life around, a quite ordinary individual. Grant was, just as the occupants of that 3rd floor attic.
I worked for several years at New York State Crime Victims Board before retirement and part of my job was to evaluate police work.